Jasmin de Corse by Coty 1906

Launched in 1906, Jasmin de Corse by Coty is a fragrance that carries deep personal significance for its creator, François Coty, born François Spoturno on the Mediterranean island of Corsica. The name "Jasmin de Corse" translates from French as "Jasmine of Corsica" (pronounced zhaz-mehn duh kors). The phrase evokes sun-drenched landscapes, rolling hills scented with wildflowers, and the island’s rich botanical heritage. By naming the fragrance after his homeland, Coty not only paid tribute to his Corsican roots but also drew upon the island’s legendary natural beauty and aromatic flora to create a scent that was both nostalgic and exotic.

The early 1900s, when Jasmin de Corse was introduced, marked the height of the Belle Époque (1871–1914), a period of artistic, cultural, and scientific flourishing in Europe. Fashion was transitioning from the elaborate S-curve corseted silhouettes of the late 19th century to the more fluid, empire-line gowns that would dominate the years leading up to World War I. Women of the time sought luxury and romance in their fragrances, using perfume as a means of expressing femininity, status, and sensuality. A scent called Jasmin de Corse would have evoked images of sun-warmed Mediterranean gardens, opulence, and the allure of an island untamed yet steeped in history.

The olfactory composition of Jasmin de Corse is classified as a sweet floral, known for being intensely rich, heady, and lingering. The fragrance was built around indolic jasmine, a type of jasmine that possesses a deep, almost animalic intensity, giving it a sensual and slightly smoky character. In an era when perfumes were often light, powdery, or aldehydic, Jasmin de Corse stood out for its unapologetic richness and depth. While heavy florals such as rose, tuberose, and violet were popular at the time, Coty's take on jasmine was particularly bold, setting it apart from more delicate floral compositions.

Ambre Antique by Coty c1905

Ambre Antique by Coty, launched in 1905, was a fragrance steeped in historical allure and exotic fantasy. The name itself, Ambre Antique, directly translates from French as "Ancient Amber" (pronounced as "ahn-bruh ahn-teek"), evoking the image of a bygone era where rare and opulent materials were treasured. The name alone conjures visions of golden relics, perfumed chambers, and the sensuous mysteries of antiquity. Coty, a visionary perfumer and astute businessman, understood the romanticism surrounding ancient civilizations, particularly Ancient Egypt, and wove this fascination into the identity of his creation.

At the heart of Ambre Antique was ambergris, one of perfumery’s most legendary and enigmatic materials. A rare substance formed in the digestive system of sperm whales and aged by the sea, ambergris was prized for its complex, warm, and slightly animalic aroma. In the ancient world, it was revered for its unique scent and mystical qualities, believed to be a gift from the gods. The Egyptians, known for their mastery of fragrance and elaborate burial rituals, used resins, myrrh, and incense in both daily life and sacred ceremonies. Coty’s reference to the perfume of Ancient Egypt and gilded queens was not merely a marketing ploy; it resonated with the cultural imagination of the early 20th century, when discoveries like the excavation of Egyptian tombs and the growing field of Egyptology captivated the public.

The early 1900s, often referred to as the Belle Époque, was a period of artistic flourishing, technological innovation, and societal transformation. The fashion of the time reflected a shift towards greater freedom of movement—corsets were loosening, and the elegant S-curve silhouette, championed by designers like Paul Poiret, was replacing rigid Victorian styles. Women, inspired by exotic and oriental aesthetics, embraced luxurious fabrics, draped gowns, and intricate embroidery that echoed the styles of ancient civilizations. It was a time of opulence, but also of change, as women were beginning to assert greater independence in both fashion and society.

L'Aimant by Coty c1927

The launch of L'Aimant by Coty in 1927 occurred during a fascinating period in the history of perfumery, marked by innovation, creativity, and cultural shifts. The 1920s, often referred to as the "Roaring Twenties," was a time of immense social, artistic, and economic change.

The fragrance industry was experiencing a revolution of its own, with perfumers experimenting with new ingredients and techniques to create unique scents that captured the spirit of the era. This was also a time when the art of perfumery was becoming more accessible to the masses, thanks to advancements in production methods and marketing strategies.

Coty's acquisition of the Antoine Chiris company in 1926 added another layer of complexity to the perfume landscape. With its rich history dating back to 1768, Chiris brought with it a wealth of knowledge and expertise in sourcing raw materials and crafting exquisite perfumes. The collaboration between Coty and Chiris not only expanded Coty's reach but also facilitated the creation of new fragrances that would captivate consumers.

The origins of L'Aimant can be traced back to Rallet No. 1, a perfume crafted by Ernest Beaux, the renowned perfumer behind Chanel No. 5. Beaux's association with Coco Chanel and the creation of Chanel No. 5 marked a turning point in the world of perfumery, establishing a new standard of luxury and sophistication. Coty's decision to create L'Aimant as a homage to Chanel No. 5 reflects the intense competition and desire to capitalize on the success of iconic fragrances.

The name "L'Aimant," pronounced "LEH MON," meaning "magnet" in French, suggests an alluring and magnetic quality, hinting at the captivating nature of the fragrance. With Vincent Roubert, Coty's chief collaborator in perfumery, lending his expertise to the project, L'Aimant was crafted to evoke a sense of timeless elegance and allure.

Overall, the launch of L'Aimant by Coty in 1927 encapsulates the spirit of innovation and creativity that defined the perfume industry during the Roaring Twenties. It represents a fusion of tradition and modernity, paying homage to the legacy of perfumery while embracing the evolving tastes and preferences of consumers in a rapidly changing world.

Le Vertige by Coty c1906

"Le Vertige" by Coty, debuted in 1906, encapsulates the vibrant spirit of its time, mirroring the dynamic performances of dance troupes and ballets. Picture a stage alive with the graceful ballet dancers and the spirited can-can performers, all swirling together in a dizzying whirl of excitement that echoes the fragrance's essence. Just as dancers enchant their audience with choreographed elegance, "Le Vertige" captivates with its lively blend of scents, inviting wearers to immerse themselves in the exhilarating rhythm of the dance.

Crafted by Vincent Roubert, Coty's chief perfumer, "Le Vertige," pronounced "LEH-VAIR-TEEJH," embodies the lively, dizzying tempo of dance. Its name, meaning "dizziness" in French, vividly portrays the energetic atmosphere reminiscent of the era's dance troupes and ballets.

Masumi Toujours by Coty c2001

Masumi Toujours, a fragrance introduced by Coty in 2001, is a contemporary interpretation and extension of the classic Masumi fragrance, which debuted in 1967. As a flanker scent, Masumi Toujours builds upon the timeless essence of its predecessor while infusing it with modern elements, creating a scent that pays homage to the original yet stands out with its own unique character. It captures the essence of enduring elegance while embracing the spirit of the present, making it a captivating choice for those seeking a blend of tradition and innovation in their fragrance experience.

Masumi Je T'aime by Coty c2003

"Masumi Je T'aime by Coty," introduced in 2003, is a captivating fragrance that builds upon the legacy of Coty's iconic perfume, Masumi, which debuted in 1967. Serving as a flanker scent, Masumi Je T'aime embodies a modern interpretation of its predecessor, infusing it with contemporary notes and nuances while retaining the essence that made the original Masumi timeless. It's a harmonious blend of tradition and innovation, designed to evoke feelings of love and allure with each delightful spritz.

Emeraude by Coty c1918

Emeraude by Coty, launched in 1918 and crafted by the visionary perfumer François Coty, is a fragrance steeped in historical significance and cultural reverence. Pronounced "EM-AIR-ODE," the name itself, meaning "emerald" in French, hints at the rich narrative that inspired its creation.

In the early 20th century, François Coty was captivated by the ancient Persian culture, particularly their veneration of the emerald. The Persians, renowned for their sophisticated civilization and deep appreciation for the arts and sciences, held emeralds in high esteem. These precious stones were not merely ornamental but were believed to possess profound mystical powers. They were often housed in temples, symbolizing divine protection and happiness.

Against the backdrop of World War I, a period marked by turmoil and longing for beauty and stability, Coty sought to infuse his creations with a sense of wonder and escapism. His fascination with Persian legends and the emerald's reputed ability to bring divine happiness provided the perfect muse.

The post-war era, characterized by a yearning for peace and a return to elegance, found a perfect expression in Emeraude. Coty's goal was ambitious: to encapsulate the allure and mystique of the emerald, transforming its essence into a sensory experience. Emeraude was more than a fragrance; it was an olfactory representation of the emerald's soul, designed to evoke the same reverence and enchantment that the Persians felt towards their treasured jewels.

 

Launched during a time when modern perfumery was beginning to blossom, Emeraude stood out with its complex blend, balancing citrus top notes with a warm, spicy heart and a sensual, woody base. This composition was groundbreaking, setting a new standard for luxury fragrances. It invited wearers to embark on a journey through time and space, connecting them to the ancient Persian mystique while offering a modern sense of luxury and sophistication.

In essence, Emeraude by Coty is not just a perfume; it is a narrative encapsulated in a bottle, bridging the historical reverence of Persian culture with the early 20th century's desire for beauty and serenity amidst chaos. François Coty's creation remains a testament to the timeless allure of the emerald and the enduring power of storytelling in perfumery.

La Rose Jacqueminot by Coty c1902

During the Edwardian era, garden parties reigned as the epitome of social gatherings among the elite. These events, steeped in tradition and elegance, provided the perfect backdrop for showcasing the latest floral marvels, including the coveted Jacqueminot rose. As guests mingled amidst the lush blooms, sipping on cool drinks, and indulging in dainty treats served al fresco, the successful blooming of the Jacqueminot rose stood as a testament to the host's horticultural prowess and status within polite society.

In the picturesque settings of these lively garden parties, elegant women adorned themselves in ethereal white lawn dresses, known as lingerie dresses, evoking a sense of timeless grace and sophistication. Their ensembles were complemented by large wide-brimmed picture hats, adorned with whimsical accents such as stuffed birds and blooming flowers, anchored in place by long, fancy hat pins.

As they chatted away amidst the fragrant blooms, these women may have held delicate hand-painted porcelain cups in one hand, savoring the refreshing taste of sweet iced tea or lemonade, while using a fancy hand fan in the other to cool off from the summer heat. Their attire was completed with pristine white gloves, adding a touch of refinement to their ensemble.

The tables were adorned with lace tablecloths, polished silver flatware, and sparkling crystal lemonade pitchers, creating an atmosphere of opulence and elegance. Amidst this scene of sophistication, the delicate aroma of the Jacqueminot rose lingered in the air, adding a layer of romantic allure to the festivities. With every breath, guests were transported to a realm of timeless beauty and refined luxury, where the essence of the rose intertwined seamlessly with the splendor of the garden party.

La Rose Jacqueminot, with its rich, floral scent, would have been well-received in this context. Named after the highly fragrant breed of roses, the perfume evoked a sense of luxury and romance. The association with the Napoleonic era added to its allure, tapping into the nostalgia for a romanticized past.

The popularity of La Rose Jacqueminot perfume mirrored the fascination with the Jacqueminot rose, capturing the essence of its exquisite fragrance and timeless beauty. Just as guests reveled in the splendor of the flowering garden at these garden parties, so too did wearers of the perfume immerse themselves in the allure of its romantic aroma, evoking images of sun-drenched garden paths and vibrant blossoms in full bloom.

Against the backdrop of these esteemed gatherings, where society loosened its reins and embraced the joys of nature and camaraderie, the Jacqueminot rose emerged as a cherished centerpiece, admired by all who beheld its radiant blooms. Its delicate petals, imbued with the essence of La Rose Jacqueminot, added a touch of elegance and refinement to the festivities, ensuring that these garden parties remained unforgettable affairs, steeped in beauty, grace, and the timeless allure of the rose.

 

In the United States, where La Rose Jacqueminot was introduced by 1906, the perfume would have been particularly popular among the growing middle class, who aspired to the lifestyle and glamour associated with European perfumes.

Cool Spell by Coty c1964

Cool Spell by Coty: launched in 1964 and was still being sold in the early 1970s. It was a refreshing cologne splash for women and came in a huge 12 oz size to last you all summer long. Other sizes included an 8 oz refreshing body cologne splash as well as a spray version in a 1.5 oz size. A scented dusting powder was also offered.

Coty Amphora Pottery Perfume Bottles c1940

Coty "Amphora" Pottery Perfume Bottles, circa 1940. Filled with Coty's "Informal Fragrance", an eau de toilette in their most popular perfumes, in color coordinated stoneware perfume jars, created by the Zanesville Stoneware Company of Ohio. The 5.5" tall bottles closed with little metal capped corks and had hanging paper labels.

• Red for L'Aimant
• Blue for Paris
• Green for Emeraude and Chypre. 
• Bronzy Brown for L'Origan and Styx

They sold for $2.50 each.

The paper label reads:

"COTY - NEW YORK PARIS - informal fragrance -
Use this lovely eau de toilette as lavishly as you choose. A generous sprinkle after your bath, a dash in your hand basin, in your final shampoo rinse, on your lingerie or handkerchief. Impart a touch of fragrance to your accessories or your furs. Take it with you to freshen up while traveling."

CONT 5 OZS.
COMPOUNDED IN U.S.A

Muguet des Bois by Coty c1913

The launch of Muguet des Bois by Coty in 1913 occurred during a period of significant cultural and social shifts, particularly in the realm of women's rights and expression. François Coty, the visionary behind the fragrance, introduced it into a world where femininity was often associated with delicate, floral scents. The timing of the launch coincided with the burgeoning popularity of perfumes as an essential accessory for the modern woman, symbolizing elegance, refinement, and sensuality.

Lily of the valley, the focal note of Muguet des Bois, holds deep symbolism, especially in the context of femininity. Often associated with purity, innocence, and renewal, this delicate flower represented the idealized feminine virtues of the time. Its subtle yet enchanting fragrance became synonymous with grace and allure, making it a fitting choice for a perfume designed to accentuate the wearer's femininity.

Muguet des Bois by Coty embodied the essence of the era's feminine ideal, offering women a way to express themselves through scent. With its fresh, floral bouquet, the perfume captured the essence of springtime, evoking images of blooming gardens and romantic rendezvous. Its launch marked a pivotal moment in perfume history, cementing Coty's reputation as a master perfumer and setting the stage for the enduring legacy of Muguet des Bois as a timeless classic.

Pronounced "MEWGAY - DAY - BWAH"

 

Le Nouveau Gardenia by Coty c1936

Le Nouveau Gardenia by Coty, launched in 1936, emerged during a transformative era marked by significant social, cultural, and economic changes. The mid-1930s, in particular, were a time of recovery and innovation in the aftermath of the Great Depression. This period saw a renewed focus on luxury and personal indulgence as people sought to reclaim a sense of normalcy and joy in their lives.

In the world of fashion and beauty, the 1930s were characterized by elegance and sophistication, with Hollywood's golden age influencing trends globally. Fragrances played a crucial role in the glamour of the time, with notable perfumers creating scents that reflected the opulence and refined tastes of the era.

Coty, already a renowned name in the fragrance industry, continued to innovate with releases like Le Nouveau Gardenia. This particular fragrance would have been a part of Coty's efforts to cater to the sophisticated tastes of its clientele, offering a sense of luxury and escapism through its floral notes.

Thus, Le Nouveau Gardenia not only represents a specific olfactory creation but also encapsulates the spirit of the mid-1930s, a time when people were eager to embrace beauty, elegance, and a renewed sense of optimism.

Informal Fragrance by Coty c1939

Coty's "Informal Fragrance," launched in 1939, was essentially another term for their Eau de Toilette, emphasizing its lighter and more casual nature compared to the more concentrated Eau de Parfum. 

Advertised as a fresh and delightful option for everyday use, this product was available in many of Coty's popular scents such as Paris, Emeraude, Chypre, L'Aimant, Lilas Pourpre, and L'Origan. 

The marketing highlighted its casual elegance, likening it to the freshness of a cool summer evening and promoting its use for keeping crisp and exquisite all summer long. 

The innovative packaging, including a sky-blue bottle encased in cellophane and the introduction of atomizers, made it convenient and appealing. 

Coty emphasized the rich, lasting quality of these fragrances, yet priced them affordably to encourage lavish use.

Four Seasons by Coty c1940

Four Seasons by Coty was launched in 1940, it was an eau de cologne.

Fleur Du Lac by Coty c1942

Fleur Du Lac by Coty was originally the name of a unique and artistic perfume presentation  introduced in 1942. The name translates to "flower of the lake" in French, fitting the design which featured lacquered lotus blossoms and leaves on a colored mirror base. This decorative base held a flacon of perfume with a distinctive "briar" stopper. The presentation was both visually striking and elegant, embodying the aesthetic sensibilities of the era.

The perfume was available in six different fragrances, showcasing Coty's range and expertise in creating captivating scents. These included:

• L'Origan - A warm, spicy floral scent, often considered one of Coty's most famous fragrances.
• L'Aimant - A floral aldehyde fragrance, reminiscent of Chanel No. 5, and known for its romantic and sophisticated character.
• Emeraude - An oriental fragrance with a rich, ambery base, highlighted by notes of citrus, jasmine, and vanilla.
• Paris - A floral scent capturing the elegance and charm associated with the city of Paris.
• Muguet du Bois - A fresh, green lily-of-the-valley fragrance, celebrating the delicate and pure scent of this spring flower.
• Styx or Chypre - While it is unclear whether the sixth fragrance was Styx or Chypre, both are notable in Coty's lineup. Styx is a spicy, woody scent with a mysterious allure, and Chypre is a classic blend featuring citrus, labdanum, patchouli, and moss, creating a rich and complex aroma.

This presentation not only highlighted Coty's innovative approach to fragrance design but also reflected the luxurious and artistic packaging that was popular during that period.

Fleur du Lac Eau de Toilette:

Introduced in the 1990s, Fleur du Lac Eau de Toilette was a brief but notable addition to the fragrance market. Although discontinued not long after its release, it can occasionally be found online as old stock. This fragrance was designed as a soft floral scent for women, characterized by its delicate blend of floral notes over a comforting base of vanilla.

Fragrance Profile:

Top and Middle Notes: A refreshing yet sweet blend of floral notes, which provided a bright and invigorating opening. These floral notes included a variety of sweet flowers, likely encompassing classics such as rose, jasmine, and lily. Base Notes: A rich, warm foundation of vanilla and gourmet notes, creating a cozy, sensual finish. This combination resulted in a smooth transition from the fresh and bright florals to a warm, powdery base.

Ingredients:

Octyl Methoxycinnamate: Commonly found in sunscreens and cosmetics, this ingredient acts as a UVB filter, protecting against UV radiation. It also stabilizes the fragrance but has been associated with potential health risks, leading to its ban in European cosmetics.

Benzophenone-3: An antioxidant that improves the stability of fragrances and protects against UV exposure. It has a faint, sweet scent with fruity and floral nuances, adding to the overall character of the fragrance. Like octyl methoxycinnamate, it is banned for cosmetic use in Europe due to health concerns.

Castor Oil: Included for its emollient properties, it can also act as a skin allergen for some individuals.

The top and middle notes offer a refreshing and sweet floral bouquet that captures attention with its bright and lively character. As the fragrance settles, it transitions into a cozy, powdery base with a warm, inviting vanilla note, providing a comforting and long-lasting scent experience.

Health and Safety Notes:

While the fragrance components such as octyl methoxycinnamate and benzophenone-3 contribute to the scent profile and stability, their associated health risks have led to regulatory restrictions in certain regions, including Europe. Additionally, the presence of castor oil may cause allergic reactions in sensitive individuals.

Fleur du Lac Eau de Toilette remains a nostalgic scent for those who remember its brief presence in the market, offering a unique combination of floral brightness and warm vanilla comfort.

Fairy Princess by Coty c1956

Fairy Princess by Coty was launched in 1956. It was toiletries for little girls. Sold up until around 1960.

A 1956 ad reads:

"Beauty for young girls begins at Schuster’s - Coty “Fairy Princess” Opens Door to “Grown-Up” Beauty Secrets. Fairy Princess Toiletries, specially blended by Coty for young misses. Simple to use personal grooming aids and cosmetics suited to their age and teaching younger misses important beauty habits,. Shown below are just a few of the many Fairy Princess beauty aids in our Toiletries Department - All 4 Stores.

• Colognes with atomizer
• Bubble bath packets
• Dusting powder
• Hand lotion
• Fragrance 3pc set
• and many other Coty “Fairy Princess” beautifiers."

A 1957 ad reads:

"COTY FAIRY PRINCESS. Cologne with Atomizer 1.25. Fairy Princes 125 Wand with ... fragrant... And it s all done with a touch of Coty's magical cosmetic wand.fairy wand by Coty. Magical gifts of glamour for the young miss. Daintily packaged by world renowned Coty. Gently fragranced for little girls. Fairy Princess"

A 1957 ad reads:

"From Coty.. Truly a Fairy Princess wand with a star and golden jingling bells on the end filled with bubble bath...astonishingly feminine they make their father gasp, the little minxes who are being flirtatious will adore Coty's Fairy Princess fripperies.."

A 1958 ad reads:

"Coty's Fairy Princess. A new magic fragrance for the fairest of all. A light delicate aura of magic for your young fairy princess to make her dream of castles. .COTY'S FAIRY PRINCESS. cologne with. atomizer 1.25. You'll feel sparkling and Light as the fairy princess herself floating on a flower petal of precious fragrance."

A lawsuit ensued in 1960 over the name Fairy Princess.

"SHAFFER v COTY INC 1960 183 F Supp 662 Ann SHAFFER Plaintiff v COTY INC a ... of an unregistered trademark Fairy Princess used in connection with plaintiff's.. This is an action for injunctive relief and damages grounded upon alleged infringement of an unregistered trademark, "Fairy Princess", used in connection with plaintiff's product on certain unusual containers designed to hold bubble bath, lotion, cologne, and the like."

Imprevu by Coty c1965

In 1965, when Coty launched Imprevu, the world was amidst a vibrant cultural shift. It was a time of considerable change and exploration, both socially and artistically. The mid-1960s marked the peak of the Swinging Sixties era, characterized by a rebellious spirit, a rejection of traditional values, and an embrace of youth culture.

Around the world, significant events were shaping history. In the United States, the Civil Rights Movement was gaining momentum, with key figures like Martin Luther King Jr. leading marches and protests for racial equality. The Vietnam War was escalating, sparking anti-war demonstrations and a countercultural movement that challenged authority and the status quo. In Europe, the Swinging London scene was flourishing, with its fashion, music, and art scenes capturing global attention.

For young women, especially those targeted by Coty's marketing for Imprevu, life was undergoing profound changes. The traditional roles and expectations of women were being redefined. The rise of feminism and the sexual revolution empowered women to assert their independence, challenge societal norms, and embrace their individuality. Fashion icons like Twiggy and Brigitte Bardot epitomized the era's liberated spirit, influencing trends with their bold styles and attitudes.

Imprevu's debut represented a deliberate departure into modernity, perfectly aligned with the zeitgeist of the Swinging Sixties. Crafted by Bernard Chant, the fragrance aimed to encapsulate the essence of the contemporary woman amidst a backdrop of societal change and cultural revolution. Its very name, "Imprevu," meaning "unforeseen" in French, hinted at the unpredictability and excitement of the times.

Elan by Coty c1968

In 1968, a pivotal year in the history of women’s empowerment, Coty introduced Élan, a fragrance that reflected the dynamic and progressive spirit of the time. After seven years of meticulous development, Élan emerged as a masterpiece of perfumery, designed to honor the evolving role of women in society. It was more than just a perfume—it was a celebration of confidence, vitality, and grace, mirroring the cultural and social revolutions of the late 1960s.

The name Élan is derived from French, where it signifies enthusiasm, energy, and a spirited confidence. Pronounced ay-lahn (with a soft "n"), the word evokes images of elegance, dynamism, and momentum. It captures the essence of vitality, a quality that Coty sought to embody in the fragrance. The choice of this name was deliberate, reflecting the empowered and forward-moving nature of women during this transformative era.

The late 1960s were a time of profound cultural change, often described as the height of the women’s liberation movement. Women were challenging societal norms, entering the workforce in greater numbers, and asserting their rights for equality and autonomy. This was also the era of the counterculture movement, marked by protests, artistic experimentation, and a questioning of traditional values.

Fashion and beauty trends of the time mirrored this spirit of liberation. Women embraced bold, expressive styles, from miniskirts and go-go boots to natural hairstyles and minimalist makeup. A perfume like Élan would have appealed to women who sought to express their individuality and confidence. It resonated as a statement of sophistication and empowerment, aligning with the aspirations of the modern woman.

La Fougeraie Au Crepuscule by Coty c1928

The launch of "La Fougeraie Au Crepuscule" by Coty in 1928 marked a significant moment in the history of perfume. François Coty, a renowned perfumer and entrepreneur, was behind this creation. It's noteworthy that this perfume was released during the interwar period, a time of significant cultural shifts and artistic exploration.

The choice of launching in 1928 places it in the era known as the "Roaring Twenties," a time characterized by economic prosperity, cultural dynamism, and social change, particularly in Western societies. Perfume, along with other luxury goods, experienced a surge in popularity during this time, as people sought to indulge in sensual pleasures and express their newfound freedoms.

The fact that "La Fougeraie Au Crepuscule" took five years to perfect speaks to the meticulous craftsmanship and attention to detail that François Coty and his team invested in its creation. Perfume-making during this period was often a labor-intensive process, involving the sourcing of rare and exotic ingredients, as well as the blending of various essences to achieve a harmonious and distinctive scent profile.

By 1932, the perfume had made its way to the United States, reflecting Coty's ambition to tap into the lucrative American market. The 1930s marked a time of economic turmoil with the onset of the Great Depression, yet luxury items like perfume continued to hold appeal for those who could afford them.

"La Fougeraie Au Crepuscule" holds additional significance as François Coty's final perfume before his death in 1934. Coty was a pioneering figure in the world of fragrance, credited with revolutionizing the perfume industry through his innovative marketing strategies and the introduction of new scent compositions. As such, this perfume represents the culmination of his lifelong dedication to the art of perfumery.

Overall, the launch of "La Fougeraie Au Crepuscule" in the late 1920s and its subsequent arrival in the United States in the early 1930s occurred against the backdrop of a vibrant and evolving cultural landscape, marking a notable chapter in the history of perfume.

L'Effleurt by Coty c1907 vs. L'Effleur by Coty c1990

In the year 1907, Coty unveiled a captivating creation to the discerning society of the Edwardian era: L’Effleurt, a delicate floral perfume ensconced within a Baccarat flacon adorned with a label fashioned by the esteemed Rene Lalique.

This fragrant offering arrived amidst a time when elegance, refinement, and romance reigned supreme in the hearts of the populace. The turn of the century marked an era of opulence and sophistication, where every detail, from attire to accouterments, was meticulously curated to exude grace and charm.

With its enchanting slogan, ‘Somewhere inside romance blossoms,’ and the poetic declaration, "Fragrance of dream gardens - delicately accentuating the loveliness of flower women," L’Effleurt promised to transport wearers to a realm of ethereal beauty and timeless allure.

Such a perfume would have been received with great admiration and enthusiasm by the Edwardian society, as it perfectly encapsulated the spirit of the era—a desire for elegance, refinement, and a touch of romantic escapism. The exquisite craftsmanship of the Baccarat flacon and Lalique-designed label, coupled with the alluring fragrance within, would have undoubtedly captivated the hearts and senses of those fortunate enough to experience it. L’Effleurt stood as a testament to the artistry and sophistication of the time, solidifying Coty’s position as a purveyor of luxury and refinement in the world of perfumery.