François Coty's journey to success with La Rose Jacqueminot is a tale of determination, ingenuity, and a touch of theatrical flair. Despite facing initial resistance from department stores, Coty's unwavering belief in his perfume ultimately led to a pivotal moment of triumph.
In a bold attempt to capture the attention of Henri de Villemessant, the director of Le Grands Magasins du Louvre, Coty sought to secure an order for his fragrance. However, when de Villemessant refused to grant him an audience, Coty devised a daring plan to make an unforgettable impression. Returning to the store a few days later, he dramatically flung a Baccarat crystal perfume flacon onto the floor of the cosmetics department, causing it to shatter and releasing the captivating fragrance into the air. The potent aroma instantly intrigued and captivated everyone present, including de Villemessant, who was compelled to inquire about the perfume that had caused such a commotion. This bold act catapulted Coty into the spotlight and marked the beginning of his illustrious career in the world of perfumery.
Rumors suggest that Coty may have employed additional tactics to generate buzz around his perfume, including hiring women to feign frenzied curiosity about the fragrance. Furthermore, Coty's connection to the department store through his mother-in-law likely played a role in facilitating his breakthrough, showcasing the importance of personal connections in the business world.
Following the successful demonstration at Le Louvre, Coty swiftly secured an order for La Rose Jacqueminot, which he and his wife, Yvonne, diligently fulfilled overnight in their modest apartment-turned-perfume factory. Yvonne, drawing on her skills as a milliner, meticulously crafted silk perfume pouches to accompany the bottles, adding an extra touch of elegance and allure. Employing a technique known as baudruchage, she adorned the bottles with gold string and binding, enhancing their visual appeal and further captivating customers.
The response to La Rose Jacqueminot was nothing short of extraordinary, with Le Louvre alone ordering a significant quantity of bottles. Within days, demand for the perfume soared, with 500 bottles sold in a remarkably short span of time. This remarkable success marked just the beginning of Coty's illustrious career and cemented La Rose Jacqueminot as a timeless classic in the world of perfumery.
Fragrance Composition:
So what does it smell like? It is classified as a floral fragrance for women.
- Top notes: aldehydes, tea rose, Bulgarian rose, jacqueminot rose, green accord
- Middle notes: jasmine, cabbage rose (rosa centifolia), damask rose, violet, ylang ylang, honey, orange blossom, lavender, cloves, nutmeg, cardamom
- Base notes: oakmoss, ambergris, Indian musk, Mysore sandalwood, tobacco
In the early stages of crafting La Rose Jacqueminot, François Coty seized a unique opportunity when he acquired a substantial stock of rose essence from Alber Camili, a renowned essential oil manufacturer. This serendipitous acquisition came about as a result of Alber Camili's unfortunate bankruptcy, which led to the liquidation of their inventory at remarkably affordable prices. Coty, recognizing the potential of this treasure trove of rose essence made more accessible by the company's financial turmoil, wasted no time in purchasing vast quantities in bulk.
At the heart of La Rose Jacqueminot's formulation lies the exquisite Alber Camili rose absolute, a precious essence renowned for its rich and captivating fragrance. This essence, obtained from the delicate petals of the rose, served as the cornerstone of the perfume's olfactory profile, infusing it with an unparalleled depth and complexity. Coty, leveraging the abundance of this prized ingredient, sought to create a fragrance that would showcase the sheer opulence and allure of the rose in all its splendor.
François Coty meticulously composed La Rose Jacqueminot into a warm floral perfume that drew upon the precious attars of various cabbage roses. He focused on the rich and aromatic "Jacqueminot," the lush "Paul Neyron," and the iconic "American Beauty" varieties. These roses, celebrated for their robust and captivating scents, formed the heart of Coty's creation, infusing the perfume with a depth and complexity that mirrored the elegance of the Edwardian era's most exquisite garden parties.
To complement the sublime essence of the Alber Camili rose, Coty incorporated two key bases into the fragrance's composition: Rhodinol and Ionone. Rhodinol, a product manufactured by Rhone-Poulenc, represented a masterful blend of the primary constituents found in both rose and geranium oil. This innovative base not only enhanced the floral bouquet of the perfume but also imparted a distinctive freshness and vibrancy to its overall character.
In addition to Rhodinol, Coty integrated Ionone, a synthetic violet chemical crafted by De Laire, into the fragrance formula. Ionone, originating from a groundbreaking discovery made by Tiemann and Kruger in 1898, offered a captivating floral note reminiscent of delicate violets in bloom. Its inclusion in La Rose Jacqueminot added a subtle yet enchanting layer to the perfume, contributing to its multifaceted aroma and ensuring a truly unforgettable olfactory experience.
Through skillful utilization of these exquisite ingredients, François Coty succeeded in crafting a fragrance that transcended mere scent, capturing the essence of romance, luxury, and timeless elegance. La Rose Jacqueminot, with its opulent blend of rose absolute, Rhodinol, and Ionone, emerged as a masterpiece of perfumery, captivating the senses and leaving an indelible impression on all who encountered its enchanting aroma.
Step into the enchanting world of La Rose Jacqueminot, where the air is imbued with the intoxicating aroma of warm, floral notes. Picture yourself wandering through a sunlit garden party, surrounded by lush blooms and delicate petals dancing in the breeze. With each inhalation, you're greeted by a symphony of scents that captivate the senses and transport you to a realm of timeless beauty and elegance.
At the forefront of this olfactory journey are the top notes, where aldehydes mingle with the exquisite essence of tea rose, Bulgarian rose, and jacqueminot rose. These roses, each with its unique character, blend harmoniously to create a bouquet that is at once fresh, vibrant, and utterly captivating. A green accord adds a touch of verdant freshness, evoking the sensation of walking through a garden in full bloom.
As you delve deeper into the heart of the fragrance, you discover a rich tapestry of floral delights. Jasmine, with its heady aroma, intertwines with the velvety petals of cabbage rose and the timeless allure of damask rose. Violet adds a powdery, ethereal quality, while ylang ylang lends a creamy, exotic undertone. Spices such as cloves, nutmeg, and cardamom infuse the bouquet with warmth and depth, evoking a sense of cozy intimacy and intrigue.
Finally, the base notes provide a solid foundation upon which the floral and spicy accords can unfold. Oakmoss anchors the fragrance with its earthy, mossy aroma, while ambergris adds a smooth, animalic quality. Indian musk lends a subtle, musky warmth, and Mysore sandalwood brings a luxurious, velvety texture. A hint of tobacco adds a smoky, slightly sweet note, completing the fragrance with a touch of sophistication.
Inhale deeply, and let the creamy, dark, and rich honeyed rose of La Rose Jacqueminot envelop you in its embrace, transporting you to a realm where every note unfolds like a love letter to the senses.
What Others Said:
In 1907, an advertisement proudly presents Coty's La Rose Jacqueminot as an exquisite pure odor of the American Beauty Rose, encapsulated in 1-ounce cut glass bottles and accompanied by miniature satin sachets, all for the modest price of $3.00. This ad appeals to the refined sensibilities of the readers, emphasizing the luxury and sophistication of the fragrance.
A 1907 ad reads:
"Coty's La Rose Jacqueminot an exquisite pure odor of the American Beauty Rose in 1 ounce cut glass bottles and with miniature satin sachet $3.00 "
"La Rose Jacqueminot," a fragrance immortalized in the Times Herald of 1925 as "the transfused sighs of a thousand roses blowing on the southern slopes of France," evokes imagery of troubadours and Provence, with masquers gay and colorful dancing amidst the tantalizing pathways of a maze. It embodies the essence of a woman with honey-colored hair and a mischievous glint in her eyes, exuding delicious impudence and eternal coquetry.
The Times Herald, 1925:
"La Rose Jacqueminot: The transfused sighs of a thousand roses blowing on the southern slopes of France. Troubadours and Provence - Masquers gay and colourful- laughing, backward glances; Escape and capture in the tantalizing pathways of the maze - Little red heels tapping in the dance. Fragrant essence of the woman with honey-colored hair and a laughing imp in her eyes, of delicious impudence, ever the coquette."
In 1925, an advertisement recommends "La Rose Jacqueminot" alongside other fragrances like L'Effleurt and L'Or, specifically tailored for blondes. The following year's ad describes it as glamorous and lovely, the quintessential perfume of the rose, symbolizing love and adorableness.
A 1925 ad reads:
"For Blondes: L'Effleurt, La Rose Jacqueminot & L'Or."
A 1926 ad reads:
"La Rose Jacqueminot:- glamorous, lovely, the perfect perfume of the rose, flower of love and true symbol of adorable women."
Fast forward to 1937, Marie-Claire magazine describes La Rose Jacqueminot by Coty as warm and discreet, portraying a woman who cherishes her household, her husband, and her children. Referencing Leon-Paul Fargue's words, the ad suggests that this fragrance embodies the essence of a woman who possesses the skill to create beauty and warmth in every aspect of her life.
Marie-Claire, 1937:
"La Rose Jacqueminot by Coty: Warm and discreet. She prefers her entire household, her husband, her children. She knows how to make 'a bouquet, a hem, a stew' (Leon-Paul Fargue)."
In 1954, Combat magazine eloquently extols the virtues of Eau La Rose Jacqueminot de Coty, celebrating the cerebral pleasure evoked by the scent of the rose. Describing it as red, vigorous, fervent, and prosperous, the ad paints a vivid picture of a fragrance nourished by the richness of summer. The perfume is likened to a song of joy and triumph, evoking the melodic effusions of a nightingale on a moonlit night, particularly enchanting when adorning a young woman in tulle amidst the silvered steps of the Grand Meaulnes.
Combat, 1954:
"Eau La Rose Jacqueminot de Coty: There is a cerebral pleasure in the smell of the rose. The one we call Jacqueminot is red, vigorous, fervent, prosperous. The richness of summers nourishes its pollen. Its perfume is a song of joy, alacrity and triumphant, which makes one think of the great sonorous effusions of the nightingale. Is that why I love it above all at night, on a young woman sparkling in tulle, when the arrows of the moon silver the steps of the Grand Meaulnes."
Personal Perfumes:
The 1920s and 1930s marked an era of intriguing marketing strategies within the perfume industry, where perfumers tailored their fragrances to suit different complexion types, hair colors, personalities, and moods. These tactics aimed to create a personal connection between women and their chosen scents, tapping into the desire for individuality and self-expression.
For blondes, perfumers recommended light, delicate fragrances such as Paris, L'Aimant, L'Effleurt, La Rose Jacqueminot, and L'Or. These scents were thought to complement the ethereal beauty and sunny disposition often associated with blonde hair.
On the other hand, brunettes were advised to embrace heavier, more opulent Oriental perfumes like L'Aimant, L'Origan, Emeraude, Chypre, Ambréine, Fougeraie au Crépuscule, or Styx. These fragrances were believed to enhance the richness and depth of brunette hair and the mysterious allure often associated with darker features.
Red-haired women were encouraged to opt for fragrances that complemented their fiery personalities and unique charm. Scents like Emeraude, Paris, L'Origan, L'Ambre Antique, Iris, and Cyclamen were recommended to accentuate the vibrant and distinctive nature of red hair.
Alternatively, some perfumers suggested that women choose their perfumes based on their personalities or moods rather than their physical attributes. For those of a sunny and joyous disposition, fragrances like L'Effleurt, Muguet, and Violette were recommended, while those with dreamy and elusive personalities might prefer Jasmine de Corse, La Jacinthe, and Lilas Blanc.
Exotic types were directed towards fragrances like Chypre, Violette Pourpre, and Ambre Antique, which evoked a sense of adventure and intrigue. Mysterious personalities were encouraged to explore scents such as Styx, Cyclamen, and Ambre Antique, which added an air of enigma and allure.
For those with brilliant and sophisticated temperaments, fragrances like Emeraude, Paris, and L'Origan were suggested, exuding elegance and refinement.
These marketing techniques successfully appealed to consumers, leading to the purchase of thousands of perfume bottles, whether as personal indulgences or thoughtful gifts for others. They tapped into the desire for individuality and self-expression, offering women the opportunity to choose fragrances that resonated with their unique identities and moods.
Bottles:
Baccarat played a pivotal role in the early production of La Rose Jacqueminot, supplying the large containers and eventually crafting thousands of the iconic slim, classic bottles that are now synonymous with the scent. As the fragrance gained popularity, it found a new home in elegant bottles designed by the renowned Rene Lalique. The transition from Baccarat to Lalique bottles marked a shift towards even greater sophistication and refinement.
In the early days, the labels for La Rose Jacqueminot were meticulously designed and engraved by Yvonne's brothers Henri and Paul, along with their uncle, Alphee. However, as Lalique's bottles became the preferred choice, newer labels were created by Lalique himself to adorn his exquisite creations. After 1920, Coty established his own glassworks in Pantin to produce the bottles, ensuring complete control over the quality and design. These flacons were then complemented with presentation cases crafted at Coty's boxing factory in Neuilly, further enhancing the luxurious appeal of the fragrance.
Following the initial success of La Rose Jacqueminot, Coty embarked on a larger production run with the acquisition of Laloue factory inventory from Grasse. This expansion was made possible through the support of Frederick Firmenich, who supplied Coty with ingredients on credit, facilitating the creation of this beloved perfume on a larger scale.
The exquisite Baccarat crystal flacon, adorned with a glittering lapidary stopper, remains a rare and cherished artifact of La Rose Jacqueminot's heritage. Available in two sizes, 4 1/2" tall and [size not specified], these bottles serve as timeless symbols of the enduring allure and elegance of this iconic fragrance.
A delightful addition to the La Rose Jacqueminot collection was the creation of a purse-size bottle, elegantly presented in a hinged metal case. Standing at a charming height of 2 3/4 inches, this compact yet luxurious bottle was designed for the woman on the go, allowing her to carry her favorite fragrance with ease and style. The bottle features a stopper molded with intricate flower and ridge details, adding a touch of refinement to its design.
For those seeking a more substantial option for their boudoir, a larger size bottle was also introduced, standing at an impressive 6 inches tall. These grander bottles exuded an air of sophistication and grace, becoming a statement piece in any dressing area or vanity.
Notably, these exquisite bottles were not exclusive to La Rose Jacqueminot alone but were also utilized for other Coty perfumes, further showcasing their versatility and timeless appeal across the brand's fragrance offerings. Whether nestled in a dainty metal case or gracing the vanity with its grand presence, each bottle encapsulated the essence of luxury and elegance, enhancing the overall experience of indulging in the enchanting aroma of La Rose Jacqueminot.
The larger boudoir size is shown below.
Fate of the Fragrance:
La Rose Jacqueminot, despite its enduring popularity stretching into the 1950s, experienced a period of discontinuation before its surprising revival in 1986. Coty's relaunch of this beloved fragrance came as part of The Chateau Collection, a set that also included two other forgotten scents: Chypre and Muse (rechristened as Les Muses).
In this reimagining, the original fragrances were modernized to align with the tastes of the 1986 woman. However, it's worth noting that the full parfum concentrations were not released, as they were deemed "too heady for modern tastes." Instead, the reformulated versions aimed to capture the essence of the originals while catering to contemporary preferences, offering a lighter and more wearable interpretation.
The setting and inspiration for the collection's display and advertising were drawn from the historic Chateau D'Artigny, which held significant significance as the former estate of Coty in France. This choice of setting added an air of sophistication and elegance to the relaunch, evoking the timeless beauty and romance associated with La Rose Jacqueminot and its companions. Through The Chateau Collection, Coty sought to reintroduce these classic fragrances to a new generation of perfume enthusiasts while paying homage to their rich heritage and legacy.
1986 Relaunch:
So what does it smell like? It is classified as a floral fragrance for women. Rich, full bodied floral of roses and jasmine, enhanced with warm woody notes of sandalwood and oakmoss.
Please, Please, Please consider reissueing the three set 1987 collection of La Rose, La Muses and Chypre! I would buy these again, probably a couple of each one just so I have it when it is discontinued again. I loved this collection and the La Rose is the only perfume that I have worn that my husband has ever commented on liking.
ReplyDeleteThere is no rose perfume as accurate as this one. I grow roses so I know what a rose should smell like and this perfume (NOT the re-done one from 1987) is the very best rose perfume EVER. I am fortunate to have 3 partially filled bottles of this perfume and they have not gone bad thankfully and I was able to buy them over the years for a very reasonable price (well under $60.00)
ReplyDelete