Hello and welcome! Please understand that this website is not affiliated with Coty in any way, it is only a reference page for collectors and those who have enjoyed the classic fragrances of days gone by.

The main objective of this website is to chronicle the history of the Coty fragrances and showcase the bottles and advertising used throughout the years.

However, one of the other goals of this website is to show the present owners of the Coty perfume company how much we miss the discontinued classics and hopefully, if they see that there is enough interest and demand, they will bring back these fragrances!

Please leave a comment below (for example: of why you liked the fragrance, describe the scent, time period or age you wore it, who gave it to you or what occasion, any specific memories, what it reminded you of, maybe a relative wore it, or you remembered seeing the bottle on their vanity table), who knows, perhaps someone from the current Coty brand might see it.

Also, this website is a labor of love, it is a work in progress and is always being updated with new information as I can find it, so check back often!

Saturday, June 15, 2013

Iris by Coty c1911

In 1911, the world was in a state of flux. The early 20th century was marked by rapid industrialization, shifting social norms, and geopolitical tensions that would eventually culminate in World War I. This period was also characterized by an appreciation for art, culture, and luxury, especially among the upper classes.

Coty's launch of the perfume "Iris" in 1911 came at a time when perfumes were considered essential accessories for both men and women of refined taste. Coty, a French perfumer, was renowned for revolutionizing the perfume industry with his innovative scents and elegant packaging. "Iris" was no exception, as it encapsulated the essence of its namesake flower in a delicate and alluring fragrance.



Moia by Coty c1922

Moia by Coty: launched in 1922. Given the scarcity of historical references, describing the scent profile of Moia by Coty is speculative, but we can make educated guesses based on the name and available information.

Moia likely derives its name from the Moia Wood, also known as the Cherimoya tree. Cherimoya is a tropical American tree that produces round, heart-shaped, or oblong fruit. The blooms of the Cherimoya tree are known for their distinct vanilla scent. Therefore, it's reasonable to assume that Moia by Coty may have incorporated notes reminiscent of vanilla, possibly blended with tropical or fruity undertones to evoke the exotic allure of the Cherimoya tree.

Considering the fragrance trends of the early 20th century, Moia may have been formulated as a rich and complex scent, similar to other Coty fragrances of the time. It may have featured floral notes alongside the vanilla, creating a captivating and sophisticated aroma that appealed to the tastes of the era.

While Moia may not have achieved significant commercial success, its longevity on the market until at least 1929 suggests that it retained a loyal following, despite its relatively limited prominence in historical records.






Heliotrope by Coty c1910

The debut of Heliotrope by Coty in 1910 coincided with a fascinating era in history, particularly concerning women's fashion and fragrance preferences. This period marked the tail end of the Edwardian era, characterized by opulent and ornate fashion, while also witnessing a transition towards more practical and liberating styles that would define the 1920s. Influences from the Art Nouveau movement were evident, introducing more fluid and feminine designs to the fashion landscape.





During this time, women's fashion was marked by high collars, long skirts, and corseted waists, reflecting the elegance and formality of the era. Perfumes of the early 20th century were often complex and rich, with floral notes dominating. Heliotrope, named after the fragrant heliotrope flower, likely boasted a blend of violet, vanilla, almond, and heliotrope itself, creating a sweet and powdery fragrance. Women preferred perfumes that complemented their attire, projecting an image of sophistication and refinement. 

Friday, June 14, 2013

Lotion Coty

In 1932, America was introduced to Coty's hair lotions, these were already known in Europe, where they had already had a great success since 1920.

Printer's Ink, 1932:
"The product, a hair lotion, is new to the Coty line in the United States. It centers around promotion of a beauty salon service that has long term practiced in France. There, when a woman has her hair dressed, she usually has her hair perfumed."

The New Yorker, 1933:
"Well-known to smart heads that have been coiffed on the Continent, Lotion Coty for the Hair is currently available in your favorite scent: Paris, L'Origan, Lavande, Emeraude, Muguet, Chypre, Styx, L'Aimant, La Rose Jacqueminot, Lilas Pourpre, Violette Pourpre, Eau de Coty, L'Or, Ambre Antique."

c1930 Lotion in Eau de Coty scent, photo from a French perfume miniature website.

c1920s Lotion in Chypre scent, photo by ebay seller petrpavek1

 


Le Nouveau Gardenia by Coty c1936

Le Nouveau Gardenia by Coty, launched in 1936, emerged during a transformative era marked by significant social, cultural, and economic changes. The mid-1930s, in particular, were a time of recovery and innovation in the aftermath of the Great Depression. This period saw a renewed focus on luxury and personal indulgence as people sought to reclaim a sense of normalcy and joy in their lives.

In the world of fashion and beauty, the 1930s were characterized by elegance and sophistication, with Hollywood's golden age influencing trends globally. Fragrances played a crucial role in the glamour of the time, with notable perfumers creating scents that reflected the opulence and refined tastes of the era.

Coty, already a renowned name in the fragrance industry, continued to innovate with releases like Le Nouveau Gardenia. This particular fragrance would have been a part of Coty's efforts to cater to the sophisticated tastes of its clientele, offering a sense of luxury and escapism through its floral notes.

Thus, Le Nouveau Gardenia not only represents a specific olfactory creation but also encapsulates the spirit of the mid-1930s, a time when people were eager to embrace beauty, elegance, and a renewed sense of optimism.



Informal Fragrance by Coty c1939

Coty's "Informal Fragrance," launched in 1939, was essentially another term for their Eau de Toilette, emphasizing its lighter and more casual nature compared to the more concentrated Eau de Parfum. 

Advertised as a fresh and delightful option for everyday use, this product was available in many of Coty's popular scents such as Paris, Emeraude, Chypre, L'Aimant, Lilas Pourpre, and L'Origan. 

The marketing highlighted its casual elegance, likening it to the freshness of a cool summer evening and promoting its use for keeping crisp and exquisite all summer long. 

The innovative packaging, including a sky-blue bottle encased in cellophane and the introduction of atomizers, made it convenient and appealing. 

Coty emphasized the rich, lasting quality of these fragrances, yet priced them affordably to encourage lavish use.








Four Seasons by Coty c1940

Four Seasons by Coty was launched in 1940, it was an eau de cologne.


Fleur Du Lac by Coty c1942

Fleur Du Lac by Coty was originally the name of a unique and artistic perfume presentation  introduced in 1942. The name translates to "flower of the lake" in French, fitting the design which featured lacquered lotus blossoms and leaves on a colored mirror base. This decorative base held a flacon of perfume with a distinctive "briar" stopper. The presentation was both visually striking and elegant, embodying the aesthetic sensibilities of the era.

The perfume was available in six different fragrances, showcasing Coty's range and expertise in creating captivating scents. These included:
  • L'Origan - A warm, spicy floral scent, often considered one of Coty's most famous fragrances.
  • L'Aimant - A floral aldehyde fragrance, reminiscent of Chanel No. 5, and known for its romantic and sophisticated character.
  • Emeraude - An oriental fragrance with a rich, ambery base, highlighted by notes of citrus, jasmine, and vanilla.
  • Paris - A floral scent capturing the elegance and charm associated with the city of Paris.
  • Muguet du Bois - A fresh, green lily-of-the-valley fragrance, celebrating the delicate and pure scent of this spring flower.
  • Styx or Chypre - While it is unclear whether the sixth fragrance was Styx or Chypre, both are notable in Coty's lineup. Styx is a spicy, woody scent with a mysterious allure, and Chypre is a classic blend featuring citrus, labdanum, patchouli, and moss, creating a rich and complex aroma.

This presentation not only highlighted Coty's innovative approach to fragrance design but also reflected the luxurious and artistic packaging that was popular during that period.



Fleur du Lac Eau de Toilette:



Introduced in the 1990s, Fleur du Lac Eau de Toilette was a brief but notable addition to the fragrance market. Although discontinued not long after its release, it can occasionally be found online as old stock. This fragrance was designed as a soft floral scent for women, characterized by its delicate blend of floral notes over a comforting base of vanilla.




Fragrance Profile:

Top and Middle Notes: A refreshing yet sweet blend of floral notes, which provided a bright and invigorating opening. These floral notes included a variety of sweet flowers, likely encompassing classics such as rose, jasmine, and lily. Base Notes: A rich, warm foundation of vanilla and gourmet notes, creating a cozy, sensual finish. This combination resulted in a smooth transition from the fresh and bright florals to a warm, powdery base.

Ingredients:

Octyl Methoxycinnamate: Commonly found in sunscreens and cosmetics, this ingredient acts as a UVB filter, protecting against UV radiation. It also stabilizes the fragrance but has been associated with potential health risks, leading to its ban in European cosmetics.

Benzophenone-3: An antioxidant that improves the stability of fragrances and protects against UV exposure. It has a faint, sweet scent with fruity and floral nuances, adding to the overall character of the fragrance. Like octyl methoxycinnamate, it is banned for cosmetic use in Europe due to health concerns.

Castor Oil: Included for its emollient properties, it can also act as a skin allergen for some individuals.

The top and middle notes offer a refreshing and sweet floral bouquet that captures attention with its bright and lively character. As the fragrance settles, it transitions into a cozy, powdery base with a warm, inviting vanilla note, providing a comforting and long-lasting scent experience.

Health and Safety Notes:

While the fragrance components such as octyl methoxycinnamate and benzophenone-3 contribute to the scent profile and stability, their associated health risks have led to regulatory restrictions in certain regions, including Europe. Additionally, the presence of castor oil may cause allergic reactions in sensitive individuals.

Fleur du Lac Eau de Toilette remains a nostalgic scent for those who remember its brief presence in the market, offering a unique combination of floral brightness and warm vanilla comfort.











Shakti by Coty c1950

The launch of the Shakti feminine fragranced deodorant powder by Coty in 1950 coincided with a pivotal era in history, marked by significant social, cultural, and economic transformations, particularly in the context of women's roles and rights.

It was a clean, subtle, cooling fragrance, "a fragrance which mysteriously blends with and enhances any other fragrance you wear."



Fairy Princess by Coty c1956

Fairy Princess by Coty was launched in 1956. It was toiletries for little girls. Sold up until around 1960.


A 1956 ad reads:
"Beauty for young girls begins at Schuster’s - Coty “Fairy Princess” Opens Door to “Grown-Up” Beauty Secrets. Fairy Princess Toiletries, specially blended by Coty for young misses. Simple to use personal grooming aids and cosmetics suited to their age and teaching younger misses important beauty habits,. Shown below are just a few of the many Fairy Princess beauty aids in our Toiletries Department - All 4 Stores.
  • Colognes with atomizer
  • Bubble bath packets
  • Dusting powder
  • Hand lotion
  • Fragrance 3pc set
  • and many other Coty “Fairy Princess” beautifiers."

A 1957 ad reads:
"COTY FAIRY PRINCESS. Cologne with Atomizer 1.25. Fairy Princes 125 Wand with ... fragrant... And it s all done with a touch of Coty's magical cosmetic wand.fairy wand by Coty. Magical gifts of glamour for the young miss. Daintily packaged by world renowned Coty. Gently fragranced for little girls. Fairy Princess"
A 1957 ad reads:
"From Coty.. Truly a Fairy Princess wand with a star and golden jingling bells on the end filled with bubble bath...astonishingly feminine they make their father gasp, the little minxes who are being flirtatious will adore Coty's Fairy Princess fripperies.."
A 1958 ad reads:
"Coty's Fairy Princess. A new magic fragrance for the fairest of all. A light delicate aura of magic for your young fairy princess to make her dream of castles. .COTY'S FAIRY PRINCESS. cologne with. atomizer 1.25. You'll feel sparkling and Light as the fairy princess herself floating on a flower petal of precious fragrance."
A lawsuit ensued in 1960 over the name Fairy Princess.

"SHAFFER v COTY INC 1960 183 F Supp 662 Ann SHAFFER Plaintiff v COTY INC a ... of an unregistered trademark Fairy Princess used in connection with plaintiff's.. This is an action for injunctive relief and damages grounded upon alleged infringement of an unregistered trademark, "Fairy Princess", used in connection with plaintiff's product on certain unusual containers designed to hold bubble bath, lotion, cologne, and the like."

Coty's Powder Pouf Shakers

Introduced in 1972 and sold until around 1976, Coty's Powder Pouf, charming basket-weave shakers with puff-tops, retailed at just $3 each, color-keyed as always in:
  • Emeraude (green)
  • L'Aimant (pink)
  • Imprevu (baby blue)
  • Muguet des Bois (aqua blue)
  • Wild Musk (off white)
  • Masumi (yellow)
  • L'Origan (orange)
These were sold individually in their own boxes or in a gift set along with cologne.


Imprevu by Coty c1965

In 1965, when Coty launched Imprevu, the world was amidst a vibrant cultural shift. It was a time of considerable change and exploration, both socially and artistically. The mid-1960s marked the peak of the Swinging Sixties era, characterized by a rebellious spirit, a rejection of traditional values, and an embrace of youth culture.

Around the world, significant events were shaping history. In the United States, the Civil Rights Movement was gaining momentum, with key figures like Martin Luther King Jr. leading marches and protests for racial equality. The Vietnam War was escalating, sparking anti-war demonstrations and a countercultural movement that challenged authority and the status quo. In Europe, the Swinging London scene was flourishing, with its fashion, music, and art scenes capturing global attention.

For young women, especially those targeted by Coty's marketing for Imprevu, life was undergoing profound changes. The traditional roles and expectations of women were being redefined. The rise of feminism and the sexual revolution empowered women to assert their independence, challenge societal norms, and embrace their individuality. Fashion icons like Twiggy and Brigitte Bardot epitomized the era's liberated spirit, influencing trends with their bold styles and attitudes.



Imprevu's debut represented a deliberate departure into modernity, perfectly aligned with the zeitgeist of the Swinging Sixties. Crafted by Bernard Chant, the fragrance aimed to encapsulate the essence of the contemporary woman amidst a backdrop of societal change and cultural revolution. Its very name, "Imprevu," meaning "unforeseen" in French, hinted at the unpredictability and excitement of the times.

Thursday, June 13, 2013

Meteor by Coty c1949

Launched in France in 1949 and introduced to the U.S. market by 1951, Meteor by Coty arrived during a transformative yet turbulent period in global history. The late 1940s and early 1950s were defined by the aftermath of World War II, the emergence of the Cold War, and groundbreaking advancements in science and technology. Against this backdrop of rapid progress and geopolitical tension, Coty’s Meteor offered a symbol of the era’s intrigue and innovation, reflecting the cultural fascination with space and the unknown.

A meteor is the visible streak of light that occurs when a meteoroid—a small fragment of rock or metal from space—enters Earth’s atmosphere at high speed and burns up due to friction with the air. This phenomenon is often referred to as a "shooting star" or "falling star," although it is not a star at all. The word "meteor" comes from the Greek meteoros, meaning "high in the air." Pronounced as MEE-tee-or, it conjures vivid imagery of celestial bodies streaking across the night sky—a fleeting moment of brilliance and awe. The name resonated deeply with the zeitgeist, evoking excitement, wonder, and the allure of the unknown. During a time when space exploration was beginning to capture the collective imagination, a perfume named Meteor seemed daring, modern, and forward-looking. Its celestial reference aligned perfectly with the atomic age’s dual themes of immense power and vast possibility.

The launch of Meteor occurred during a pivotal historical period. The world was still grappling with the aftermath of WWII, rebuilding societies while simultaneously navigating the escalating tensions of the Cold War. The Soviet Union’s successful atomic bomb test in 1949 sparked fears of nuclear annihilation while also igniting a scientific race that included early aspirations for space exploration. It was a time of contrasts: apprehension and hope, destruction and creation.

In fashion, the post-war era saw a return to elegance and femininity, epitomized by Christian Dior’s revolutionary "New Look," introduced in 1947. Women embraced full skirts, nipped waists, and structured silhouettes as they sought glamour and escapism in their everyday lives. Beauty trends leaned toward sophistication, with perfumes playing a significant role in completing the idealized image of the modern woman. Meteor, with its evocative name and luxurious profile, offered women a piece of this optimism and aspiration.

Classified as an aldehydic floral, Meteor encapsulated the era’s fascination with modernity and refinement. The aldehydes provided a bright, airy opening, reminiscent of the dazzling light of a meteor’s trail across the sky. Jasmine, tuberose, and rose formed the heart of the fragrance, creating a lush, opulent bouquet that evoked the elegance and femininity of the 1950s. These classic floral notes were deepened with musk and civet, adding an animalic warmth and sensuality that reflected the complexity of the times. The result was a fragrance that felt timeless yet entirely contemporary, offering a blend of lightness and depth that resonated with women seeking both sophistication and allure.



Elan by Coty c1968

In 1968, a pivotal year in the history of women’s empowerment, Coty introduced Élan, a fragrance that reflected the dynamic and progressive spirit of the time. After seven years of meticulous development, Élan emerged as a masterpiece of perfumery, designed to honor the evolving role of women in society. It was more than just a perfume—it was a celebration of confidence, vitality, and grace, mirroring the cultural and social revolutions of the late 1960s.

The name Élan is derived from French, where it signifies enthusiasm, energy, and a spirited confidence. Pronounced ay-lahn (with a soft "n"), the word evokes images of elegance, dynamism, and momentum. It captures the essence of vitality, a quality that Coty sought to embody in the fragrance. The choice of this name was deliberate, reflecting the empowered and forward-moving nature of women during this transformative era.

The late 1960s were a time of profound cultural change, often described as the height of the women’s liberation movement. Women were challenging societal norms, entering the workforce in greater numbers, and asserting their rights for equality and autonomy. This was also the era of the counterculture movement, marked by protests, artistic experimentation, and a questioning of traditional values.

Fashion and beauty trends of the time mirrored this spirit of liberation. Women embraced bold, expressive styles, from miniskirts and go-go boots to natural hairstyles and minimalist makeup. A perfume like Élan would have appealed to women who sought to express their individuality and confidence. It resonated as a statement of sophistication and empowerment, aligning with the aspirations of the modern woman.

Wednesday, June 12, 2013

Coty Culturiste Creations c1930

From 1930, Coty introduces "Culturiste Creations", included the following products: Colcreme, Potonique Toning Lotion, Tissue Cream, Eau De Coty Astringent, Lotion Pour La Peau and Creme De Beaute.

“Culturiste Creations sound the new note in the world of beauty—the quicker, surer way based on supreme modern knowledge of the skin. The great truth back of them is the vitalizing principle. Cleansing and clearing the skin—strengthening muscles and livening circulation so the blood comes dancing to the cells—smoothing and refining the texture—they build or maintain a natural beauty that radiates the freshness of youth.”

Look at the shape of the bottles and the jars. I have seen these jars on ebay from time to time (usually empty).




Les Poudres de Coty



Coty produced various powders including: compact powder, face powder, sachet powder and talcum powder.
























ad from 1922

La Fougeraie Au Crepuscule by Coty c1928

The launch of "La Fougeraie Au Crepuscule" by Coty in 1928 marked a significant moment in the history of perfume. François Coty, a renowned perfumer and entrepreneur, was behind this creation. It's noteworthy that this perfume was released during the interwar period, a time of significant cultural shifts and artistic exploration.

The choice of launching in 1928 places it in the era known as the "Roaring Twenties," a time characterized by economic prosperity, cultural dynamism, and social change, particularly in Western societies. Perfume, along with other luxury goods, experienced a surge in popularity during this time, as people sought to indulge in sensual pleasures and express their newfound freedoms.

The fact that "La Fougeraie Au Crepuscule" took five years to perfect speaks to the meticulous craftsmanship and attention to detail that François Coty and his team invested in its creation. Perfume-making during this period was often a labor-intensive process, involving the sourcing of rare and exotic ingredients, as well as the blending of various essences to achieve a harmonious and distinctive scent profile.


By 1932, the perfume had made its way to the United States, reflecting Coty's ambition to tap into the lucrative American market. The 1930s marked a time of economic turmoil with the onset of the Great Depression, yet luxury items like perfume continued to hold appeal for those who could afford them.

"La Fougeraie Au Crepuscule" holds additional significance as François Coty's final perfume before his death in 1934. Coty was a pioneering figure in the world of fragrance, credited with revolutionizing the perfume industry through his innovative marketing strategies and the introduction of new scent compositions. As such, this perfume represents the culmination of his lifelong dedication to the art of perfumery.

Overall, the launch of "La Fougeraie Au Crepuscule" in the late 1920s and its subsequent arrival in the United States in the early 1930s occurred against the backdrop of a vibrant and evolving cultural landscape, marking a notable chapter in the history of perfume.


Coty Perfumes of 1934

Coty Perfumes of 1934, as shown in a vintage advertisement.





Coty Parfum SANS NOM

An unusual perfume bottle was spotted on ebay France...the gorgeous and familiar bottle from Coty was presented with a most intriguing label...it merely says "Coty Parfum Sans Nom". ...so I thought this was strange...I looked all over and could not find this name anywhere in my books or on the internet...so what do we really have here...is it a one off perfume that didn't do so well so Coty sacked it? or...was it a prototype?

From the bottle, it is the old Lalique design that has the "briar" stopper, made by Coty's own glassworks...Do you have any information to share?


photos from ebay seller claudemanouk


The mysterious "Coty Parfum Sans Nom" certainly piques curiosity! While there might not be extensive information readily available, there are a few possibilities to consider:

  • Limited Edition or Special Release: It's possible that "Coty Parfum Sans Nom" was a limited edition or special release that didn't gain widespread recognition or distribution. Such releases are often produced in smaller quantities and may not be extensively documented.
  • Prototype or Test Batch: Another possibility is that it was a prototype or test batch that never made it to full production. Perfume houses often create numerous prototypes during the development process, and not all of them make it to market.
  • Mislabeling or Misidentification: Occasionally, items listed for sale may have inaccurate or misleading descriptions. It's possible that the bottle labeled as "Coty Parfum Sans Nom" could be a mislabeled or misidentified product.
  • Regional or Niche Release: It could have been a regional or niche release that was only available in certain markets or for a limited time, making it more obscure and harder to find information about.

Without further information or documentation from Coty or other reliable sources, it's challenging to determine the exact nature of "Coty Parfum Sans Nom." However, its mysterious nature adds to its allure for collectors and perfume enthusiasts alike. If you're interested in acquiring it, consider reaching out to the seller for more details or perhaps taking a leap of faith and adding this intriguing piece to your collection!

Sweet Earth by Coty c1972

From 1972-1976, Coty released its Sweet Earth line of perfume essences, soft mists, candles and colognes, but most importantly its solid perfume compacts. The solid perfume compacts came in single scents or trios based on a theme. Each compact had a sticker with a brief description of the scent enclosed which was attached inside the lid. At the time, several different solid perfume compacts were released.




Truly Lace by Coty c1992

Launched in 1992, Truly Lace by Coty is a floral fragrance that embodies the brand’s legacy of crafting memorable perfumes. The early 1990s marked a vibrant and transformative period in the fragrance industry, with many iconic scents debuting to capture the evolving tastes of a new era. Positioned within this dynamic landscape, Truly Lace emerged as a reflection of its time, blending contemporary trends with a nostalgic nod to Victorian elegance.

The name Truly Lace evokes delicate imagery and emotions. The word "truly" conveys authenticity and sincerity, while "lace" brings to mind intricate craftsmanship, femininity, and timeless beauty. Together, the phrase suggests something pure, refined, and romantic. The name conjures visions of delicate lacework, vintage charm, and an air of sophistication. Its poetic resonance aligns perfectly with the fragrance's intent to transport wearers to a world of elegance and romance.

The early 1990s saw a resurgence of interest in the aesthetics of the past, particularly the Victorian era. This period revival influenced fashion, interior design, and even fragrances. Romantic, vintage-inspired elements became popular, with women embracing floral prints, velvet textures, and ornate accessories. Publications like Victoria and the Lady's Gallery magazines celebrated this trend, showcasing the charm and beauty of bygone eras.

Women of the time, navigating a decade that blended modern aspirations with nostalgic sentiment, would have found Truly Lace deeply appealing. The perfume, with its romantic name and vintage-inspired packaging, would resonate as a symbol of grace and femininity. It offered an escape into a dreamlike world where elegance and romance reigned supreme.

L'Effleurt by Coty c1907 vs. L'Effleur by Coty c1990

In the year 1907, Coty unveiled a captivating creation to the discerning society of the Edwardian era: L’Effleurt, a delicate floral perfume ensconced within a Baccarat flacon adorned with a label fashioned by the esteemed Rene Lalique.

This fragrant offering arrived amidst a time when elegance, refinement, and romance reigned supreme in the hearts of the populace. The turn of the century marked an era of opulence and sophistication, where every detail, from attire to accouterments, was meticulously curated to exude grace and charm.

With its enchanting slogan, ‘Somewhere inside romance blossoms,’ and the poetic declaration, "Fragrance of dream gardens - delicately accentuating the loveliness of flower women," L’Effleurt promised to transport wearers to a realm of ethereal beauty and timeless allure.

Such a perfume would have been received with great admiration and enthusiasm by the Edwardian society, as it perfectly encapsulated the spirit of the era—a desire for elegance, refinement, and a touch of romantic escapism. The exquisite craftsmanship of the Baccarat flacon and Lalique-designed label, coupled with the alluring fragrance within, would have undoubtedly captivated the hearts and senses of those fortunate enough to experience it. L’Effleurt stood as a testament to the artistry and sophistication of the time, solidifying Coty’s position as a purveyor of luxury and refinement in the world of perfumery.


Styx by Coty c1912

In 1912, the period surrounding the launch of Styx by Coty was one of burgeoning elegance and sophistication, characterized by the opulent ambiance of the Edwardian era. This was a time when society was captivated by the grandeur of luxury liners like the Titanic, embodying the epitome of glamour and refinement. The fashion of the time exuded grace and extravagance, with women draped in flowing gowns adorned with lace and pearls, while men donned impeccably tailored suits and polished top hats. Amidst this backdrop of burgeoning modernity and burgeoning social change, Coty unveiled Styx, a fragrance that encapsulated the essence of the era with its timeless blend of allure and sophistication.

"Let Styx be your perfume. It's dark and disturbing, pagan in its name."





Paris by Coty c1921

Paris in 1921 was a city of contrasts, blending the opulence of its Belle Époque past with the modernity of the Jazz Age. It was a time of artistic flourishing, with the likes of Picasso, Hemingway, and Fitzgerald frequenting its cafes and salons. The city pulsed with energy, its streets filled with the sounds of jazz music, the buzz of intellectual discourse, and the clinking of glasses in smoky speakeasies.

Against this backdrop, the name "Paris" evoked an air of sophistication, romance, and allure. It symbolized not just a geographical location, but a lifestyle, a sense of refinement and elegance that resonated with the aspirations of women in the early 20th century. Naming a perfume after Paris was a way to capture the essence of this iconic city, to bottle its mystique and charm, and to offer women a scent that promised to transport them to the romantic streets and gardens of the French capital.

Vincent Roubert, the perfumer behind Paris by Coty, understood the power of evocative branding. By associating his fragrance with Paris, he tapped into a potent blend of fantasy and reality, offering women a chance to experience a piece of the city's magic every time they spritzed the perfume on their skin. Just as Paris itself was a blend of tradition and innovation, so too was the fragrance—a floral bouquet that paid homage to the classics while embracing the spirit of modernity.



 

Muse by Coty c1948

The launch of Muse by Coty in 1946 was during a significant period of transition and rebuilding in Europe following World War II. The perfume's creation amidst the turmoil of the war years, including the German occupation of France, adds a poignant layer to its story.

1946 marked the immediate post-war era, characterized by efforts to rebuild shattered economies and societies. Europe was still reeling from the devastation of the war, and there was a palpable sense of both loss and hope for the future.

Vincent Roubert's dedication to creating Muse despite the challenges of the war underscores the resilience and determination of individuals amidst adversity. His commitment to his craft and the pursuit of beauty in the midst of such tumultuous times is a testament to the human spirit.

The choice to honor the Muses of Greek mythology with Muse by Coty reflects a longing for inspiration and creativity after years of darkness. The Muses were traditionally associated with the arts and creative endeavors, so launching a perfume in their honor suggests a desire to celebrate beauty and culture in the aftermath of destruction.

The elaborate debut of Muse, as dreamed up by press agents, likely aimed to capture the imagination of consumers and transport them to a world of luxury and sophistication. In a time when people were yearning for escapism and a return to normalcy, Muse by Coty may have offered a small glimpse of glamour and elegance amid the challenges of the post-war period.

La Jacee by Coty c1925

 La Jacée, launched by François Coty in 1925, evokes an era of elegance and innovation in perfumery. The name "La Jacée" stems from the French word for the plant Centaurée jacée (knapweed or brownray knapweed), a wildflower native to Europe. Pronounced as lah zha-SAY (with a soft "zh" as in "measure"), the name carries a lyrical and delicate charm, perfectly aligning with the fragrance's character. The choice of this name reflects Coty’s affinity for nature and poetic expression, as well as his ability to craft scents that resonated with contemporary sensibilities.

The word "La Jacée" conjures visions of meadows bathed in sunlight, adorned with wildflowers swaying gently in the breeze. Its connection to a natural and unassuming bloom evokes emotions of purity, innocence, and youthful vitality. The floral name aligns with the ideals of beauty and simplicity embraced by women in the 1920s, offering an escape into a romanticized pastoral setting.

The perfume emerged during the Roaring Twenties, a period of dramatic social and cultural change. Post-World War I optimism fueled an explosion of creativity in fashion, art, and design, often referred to as the Art Deco era. Women were embracing newfound freedoms—shorter hemlines, bobbed hair, and an overall rejection of the restrictive fashions of previous generations. This was also a time when perfumery was evolving, with fresh and modern compositions gaining popularity. La Jacée, described as "unobtrusive and subtle," reflected these trends, appealing to young women with its air of innocence and sophistication.

To women of the 1920s, La Jacée would have been a symbol of youth and a fresh start, mirroring the spirit of independence and reinvention that defined the decade. The Coty advertisement from 1927 underscores this allure, portraying the fragrance as embodying the enchanting mystery of youth and its awakening desires. Descriptors like "the perfume of innocence" and "piquant and pert as a daffodil" suggest a playful yet refined scent, one that harmonized with the era's preference for understated elegance.

Masumi by by Coty c1967

Masumi by Coty was introduced in 1967, a time of cultural transformation and burgeoning individuality. The name "Masumi" is Japanese in origin, translating roughly to "clarity" or "true purity." In layman's terms, it is pronounced "mah-soo-mee." The word evokes images of serene landscapes, delicate cherry blossoms, and a sense of tranquil refinement. This emotional resonance with simplicity, elegance, and purity likely appealed to women of the era, who were navigating a world balancing traditional beauty ideals with new freedoms and cultural influences.

For the modern woman of 1967, "Masumi" would have seemed sophisticated and exotic, tapping into the era's fascination with Eastern cultures and philosophies. The name alone might have conjured visions of harmony and introspection, sentiments aligned with the fragrance's introspective qualities. Its floral-green chypre composition, with a fresh opening, an elegant floral heart, and a mossy, powdery base, was not only feminine but reflective of a serene and balanced aesthetic. In essence, "Masumi" interpreted its name into scent, encapsulating clarity and purity in olfactory form.

ad from 1977